23.4.2016 Conference – Performance Image : bleu du ciel, 2007, Môtiers. Photo: Stefan Rohner de Katja SCHENKER (artiste) et Susanne NEUBAUER (curatrice) à La Russille, VD Titre de la proposition: Le sens du toucher LE SENS DU TOUCHER « Et ce n’est pas tout: même l’espace vide que le corps laisse derrière lui dès qu’il ... Read more...
Archive
2015 | Synprozess
Ausgehend von der Frage, ‹welche Kernkompetenz oder Denkweise einer professionellen Tätigkeit, die nicht meine eigene ist, fasziniert mich derart, dass ich darüber in ungewöhnlichem Masse nachdenke und sogar deren Einfluss auf mein eigenes Denken und Handeln anerkenne?› habe ich einundzwanzig Statements von Akteuren aus den Bereichen Wissenschaft, Design, Kunst und Architektur gesammelt, um mit den ... Read more...
2015 | Macunias’ Fluxhouses
Maciunas’s Fluxhouses: A Model for Today’s Artistic Economic Autonomies? Susanne Neubauer Artistic precarity, affordable studios to work and “new cooperative modes of creation and resistance”1 have been much debated since the early 2000s and, at the moment, appear to be at a culminant point of institutionalization.2 This continues a discussion that was begun by artists ... Read more...
2012 | Film der Antworten
This contibution is the third text I have been written on the work of filmmaker Thomas Henke. This time it was the first time I wrote about the complex relationship between religion and contemporary art. I am still fascinated by this issue and by the work of Thomas and Peggy. Film der Antworten Susanne ... Read more...
2009 | Modernism is Mirrored (Anne-Mie van Kerckhoven)
Anne-Mie Van Kerckhoven. Modernism is Mirrored Anne-Mie. She reads a book called Art and Science of 1971 (Berlin, end of September 2009). One of the subtitles is “Modes of Thinking.” “Modes of Thinking” are actually her modes of working (and this is why I give this detail). They govern her manner. They drive her energy. ... Read more...
2010 | Shifting Positions
physical surface and intellectual depth visuality and non-visual seeing abstraction within the picture shifts towards the straight-lined quotidian field images which do not demand or give an explanation to erode mind, interpretation, thinking and cognition they are islands to leave during the act of seeing if the reality of the picture is more real than ... Read more...